Pride and Prejudice (Signet Classics) - Austen, Jane Review & Synopsis

 Synopsis

Jane Austen's witty comedy of manners is one of the most universally loved and admired English novels of all time.

Spirited Elizabeth Bennet is one of a family of five daughters, and with no male heir, the Bennet estate must someday pass to their priggish cousin William Collins. Therefore, the girls must marry well-and thus is launched the story of Elizabeth and the arrogant bachelor Mr. Darcy, in a novel renowned as the epitome of romance and wit. Pride and Prejudice is Jane Austen's masterwork, an entertaining portrait of matrimonial rites and rivalries, timeless in its hilarity and its honesty.

With an Introduction by Margaret Drabble

and an Afterword by Eloisa James

Review

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."

 Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground. 

 Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber

Cambridge Literature is a series of literary texts edited for study by students aged 14-18 in English-speaking classrooms. It will include novels, poetry, short stories, essays, travel-writing and other non-fiction. The series will be extensive and open-ended, and will provide school students with a range of edited texts taken from a wide geographical spread. It will include writing in English from various genres and differing times. Pride and Prejudice by Jane Austen is edited by Richard Bain, Vice Principal, Norham Community Technology College, North Shields.

Mansfield Park

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Taken from the poverty of her parents' home in Portsmouth, Fanny Price is brought up with her rich cousins at Mansfield Park, acutely aware of her humble rank and with her cousin Edmund as her sole ally. During her uncle's absence in Antigua, the Crawford's arrive in the neighbourhood bringing with them the glamour of London life and a reckless taste for flirtation. Mansfield Park is considered Jane Austen's first mature work and, with its quiet heroine and subtle examination of social position and moral integrity, one of her most profound.

Mansfield Park is considered Jane Austen's first mature work and, with its quiet heroine and subtle examination of social position and moral integrity, one of her most profound."

Emma

Emma Woodhouse imagines that she dominates those around her in the small town of Highbury, but her inept matchmaking creates problems for herself and others.

Emma Woodhouse imagines that she dominates those around her in the small town of Highbury, but her inept matchmaking creates problems for herself and others."

Sense and Sensibility

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Marianne Dashwood wears her heart on her sleeve, and when she falls in love with the dashing but unsuitable John Willoughby she ignores her sister Elinor's warning that her impulsive behaviour leaves her open to gossip and innuendo. Meanwhile Elinor, always sensitive to social convention, is struggling to conceal her own romantic disappointment, even from those closest to her. Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love.

Through their parallel experience of love - and its threatened loss - the sisters learn that sense must mix with sensibility if they are to find personal happiness in a society where status and money govern the rules of love."

Northanger Abbey Classic Illustrated Editions(Signet Classics)

Jane Austen's first novel, Northanger Abbey--published posthumously in 1818--tells the story of Catherine Morland and her dangerously sweet nature, innocence, and sometime self-delusion. Though Austen's fallible heroine is repeatedly drawn into scrapes while vacationing at Bath and during her subsequent visit to Northanger Abbey, Catherine eventually triumphs, blossoming into a discerning woman who learns truths about love, life, and the heady power of literature. The satirical Northanger Abbey pokes fun at the gothic novel while earnestly emphasizing caution to the female sex.

Jane Austen's first novel, Northanger Abbey--published posthumously in 1818--tells the story of Catherine Morland and her dangerously sweet nature, innocence, and sometime self-delusion."

Two Gothic Classics by Women

In The Italian, the beautiful Ellena and her lover, Vivaldi, are tormented and chased by a mysterious cowled figure, while in Austen's Northanger Abbey, Catherine Morland plots to expose her dashing host's mysterious past. Original.

The Italian; Northanger Abbey."

Divine Motivation Theory

Publisher Description

Ithaca , N.Y .: Cornell University Press . Austen , Jane . 1961. Pride and Prejudice . New York : Signet Classics . Austen , Jane . 1989. Northanger Abbey . New York : Signet Classics . Badhwar , Neera . 1996. " The Limited Unity of the ..."

Austen Years

One of The Globe and Mail's Best Books of 2020 "A thoroughly authentic, smart and consoling account of one writer’s commitment to another." --The New York Times Book Review (editors' choice) "An absolutely fascinating book: I will never read Austen the same way again." —Helen Macdonald, author of H is for Hawk An astonishingly nuanced reading of Jane Austen that yields a rare understanding of how to live "About seven years ago, not too long before our daughter was born, and a year before my father died, Jane Austen became my only author." In the turbulent period around the birth of her first child and the death of her father, Rachel Cohen turned to Jane Austen to make sense of her new reality. For Cohen, simultaneously grief-stricken and buoyed by the birth of her daughter, reading Austen became her refuge and her ballast. She was able to reckon with difficult questions about mourning, memorializing, living in a household, paying attention to the world, reading, writing, and imagining through Austen’s novels. Austen Years is a deeply felt and sensitive examination of a writer’s relationship to reading, and to her own family, winding together memoir, criticism, and biographical and historical material about Austen herself. And like the sequence of Austen’s novels, the scope of Austen Years widens successively, with each chapter following one of Austen's novels. We begin with Cohen in Cambridge, Massachusetts, where she raises her small children and contemplates her father’s last letter, a moment paired with the grief of Sense and Sensibility and the social bonds of Pride and Prejudice. Later, moving with her family to Chicago, Cohen grapples with her growing children, teaching, and her father’s legacy, all refracted through the denser, more complex Mansfield Park and Emma. With unusual depth and fresh insight into Austen’s life and literature, and guided by Austen’s mournful and hopeful final novel, Persuasion, Rachel Cohen’s Austen Years is a rare memoir of mourning and transcendence, a love letter to a literary master, and a powerful consideration of the odd process that merges our interior experiences with the world at large.

 Austen , Jane . Emma. Edited by R. W. Chapman. With an introduction by Lionel Trilling. ... Pride and Prejudice . New York: Random House, Vintage Classics, 2007. ... New York: Signet Classic , New American Library Penguin, 1980. ______."

Jane Austen Cover to Cover

A must-have collection of Jane Austen covers from the past two centuries—complete with fun trivia and anecdotes, fascinating insights into book design and publishing, and much more Jane Austen never goes out of style. Since the first publication of her six novels in the 19th century, she has delighted generations of fans with classic stories that have never changed—and countless covers that have. Jane Austen Cover to Cover compiles two centuries of design showcasing one of the world’s most beloved and celebrated novelists. With over 200 images, plus historical commentary, Austen trivia, and a little bit of wit, this fascinating and visually intriguing look back is a must for Janeites, design enthusiasts, and book lovers of every age.

Jane Austen Cover to Cover compiles two centuries of design showcasing one of the world’s most beloved and celebrated novelists."

American Book Publishing Record Cumulative, 1950-1977: Non-Dewey decimal classified titles

( Programmed French readers , book one ) 67-46986 1. French language Chrestomathies ... ( A Penguin book , 1762 ) Translation of La chute . 67-26565 I. Title . CAMUS ... The fall , a novel by Albert Camus . Trans . by Justin O'Brien ."